ART AND EMPIRICAL AESTHETICS · PROPOSED EXPERIMENT

Sustainable
Reflecting

Can the feeling of having caused an artwork to come alive make its meaning more personal?

This is a planned participatory sculpture and controlled study. Visitors create the electricity that activates a mobile work made from reflective discarded materials. The experiment asks what changes when a person is the cause of the aesthetic event.

Read the study design
Reflective sculptural study on a dark background
Material study. Reflective discarded matter becomes the body of the work.

THE QUESTION

Does bodily contribution change how an artwork is felt, remembered and carried forward?

Most sustainable messages ask people to imagine a consequence. Sustainable Reflecting makes a small consequence present. A visitor gives effort. Energy appears. Light moves through discarded material. The work becomes a situation in which action and outcome are linked.

THE EXPERIMENTAL IDEA

Same artwork.
Different cause.

The installation is designed as a research environment. Its visible output remains the same. The visitor either generates the electricity themselves or sees the same output powered externally.

  1. 01Encounter

    A mobile sculpture made from reflective discarded material is waiting in the space.

  2. 02Condition

    The visitor creates the electricity, or the work is activated by an external source.

  3. 03Output

    Movement, light and duration are held as constant as possible across conditions.

  4. 04Reflection

    A short prompt may invite attention to energy, materials and everyday choices.

PLANNED STUDY DESIGN

A focused comparison, not a claim that art automatically changes people.

MANIPULATION

Source of energy

Self generated electricity is compared with externally supplied electricity.

SECOND FACTOR

Moment of reflection

A brief guided prompt is compared with an open encounter.

CONTROL

Aesthetic output

The sculpture, light, movement, sound and encounter time are kept comparable.

OUTCOMES

What will be measured

Perceived agency, personal relevance, aesthetic meaning, sustainability reflection and one defined behavioural choice.

The proposed design is a 2 × 2 study. It can begin as a pilot installation and be refined with a research partner before data collection.

WHY THIS IS WORTH TESTING

Art can make causality visible. Psychology can test what that visibility does.

The study brings together work on embodied action, agency, empirical aesthetics and environmental psychology. It does not assume that participation is meaningful by itself. Instead, it asks whether a specific causal role changes the visitor’s experience.

Reflective waste is not a decorative metaphor here. The material directs light back into the room, while the visitor’s own effort makes that light possible. This creates a concrete link between resource, body and consequence.

Research context includes empirical aesthetics, agency research and sustainability related behaviour. A detailed proposal, measures and analysis plan are available for discussion.

CONSTRUCTION IN FOUR UNIVERSES

Four material worlds. One mobile creature.

The sculpture is built as four connected universes. Each grows from a different kind of discarded material and gives light a different character. The dragon moves between them, joining the worlds without making them identical.

The complete dragon figure that will move around the four material universes
01

CD universe

Old discs become an iridescent creature and a field of changing colour.

Creature made from CDs
02

Mirror universe

Broken mirror fragments catch the visitor, the room and moving light.

Creature made from mirror fragments
03

Prism universe

Prismatic material will split the light into colour and cast it back into the space.

Material image comingReserved for your prism photographs
04

Projector and found parts

Destroyed projectors, small fragments and unexpected materials form a more unruly universe.

Small bead elements forming a galaxy within the CD universe

NEXT CONSTRUCTION DRAWING

Energy route and movement sketch

The electricity and movement drawing will follow.

Electricity and movement drawing will follow
Sculptural parts awaiting their place in the four universes
Current construction elements. Further material photographs will be added as each universe develops.

INVITATION TO COLLABORATE

Looking for a laboratory, institution or residency to build and test the first version.

I am looking for partners in empirical aesthetics, cognitive psychology, environmental psychology and neuroscience. The next step is to refine the mechanism, build the energy system and host a pilot study.

Request the research proposal ↗